The Seven Year Itch
When I first saw Marilyn Monroe on screen, I was watching Some Like it Hot in my Shakespeare in Film class during my senior year of college. We all have our preconceptions of Marilyn. She's a tramp. She's a hussie. She died far too soon. Nothing you think about her, though, holds a candle to who she actually is — or was. But what do I know. I never knew her.
All I have are movies, and when I first saw Sugar Kane jump aboard the all-girl-band's train to Florida, it was almost like seeing a goddess. Marilyn Monroe, on screen, is so poised, beautiful and innocent. She's not a hussie or a tramp, she's just an actress, and a very good one. Watching her belt out "I'm Through with Love" in one of the last scenes of Some Like it Hot was truly memorable.
I've only since seen her bit part in All About Eve (another excellent film with the immaculate Bette Davis). The quench my thirst for Marilyn, I had Netflix send me The Seven Year Itch, a memorable comedy staring Marilyn and Tom Ewell. Ewell plays Richard Sherman, a middle-aged New York businessman who has just sent his wife and son to Maine to weather the brutal summer months away from the big city. Ewell's crazy imagination gets the better of him when his neighbors above him sublet their apartment to a strikingly beautiful young woman with a very striking resemblance to actress Marilyn Monroe (Monroe is actually referenced in the film, but we never learn the girl's actual name — she could very well be playing herself).
Richard wrestles with his desire to scratch his seven year itch and sweep the girl into his arms in spite of his dutiful wife (who he imagines is probably off on a flirtatious hay ride with Tom MacKenzie, a strapping young writer). Monroe plays innocent, professing her love for champagne and potato chips and eventually falling a little for Richard.
The movie is very cute, all because of Marilyn. She captures every scene she's in. Ewell is very charming as Richard, so much so, he came back to play the part the most of any part he played all his life (on Broadway after the film was released). The movie contains Monroe's most memorable scene — standing above a subway vent with her skirt being blown up.
Why don't they make women like Marilyn Monroe anymore? Furthermore, why don't they make actresses like her either? When's the last time you saw a movie and just fell in love with an actress, not just for her portrayal, but because you could sense a bit of the existential struggle she silently endured. I guess Hollywood just doesn't do that to them anymore. Something that got lost in the wash of million-dollar salaries.
Well, at least we can look back. I feel like seeing Some Like it Hot again, but perhaps Gentlemen Prefer Blondes. We'll see.
If you haven't seen Marilyn, if you are just unaware, you need to see her. You'll be glad you did.
Marilyn Monroe: "I think it's wonderful that you're married! I think it's just delicate."
Richard: "You do?"
Marilyn Monroe: "Of course. I mean I wouldn't be lying on the floor in the middle of the night in some man's apartment drinking Champagne if he wasn't married."
Richard: "That's a very interesting line of reasoning..."
Marilyn Monroe: "Sure, with a married man, it's all so simple. I mean, it can't possibly ever get drastic..."


Afterward, we parked down by the Kodak Theatre and took a stroll down Hollywood Boulevard. We sorted around through American Apparel and took a stroll down the Walk of Fame. I am sad to say I did not find Humphrey Bogart on the walk, but I did see Marilyn Monroe! She's in front of McDonald's, but as Padmini said, it's was probably not always there.
Of all the things I could have done Sunday, the last thing on my list was climbing an 11,240 foot mountain. I could have slept in, partied it up into the wee hours of the morning in Fresno Saturday night or even talked to my long-lost expatriate friend who lives in France (who actually called when I was on the hike!) I guess, having lived so close to Sequoia National Park for so long and still not having the pleasure of visiting, my curiosity got the better of me.
We finally got to the point where the tree started to disappear and the peak finally seemed to be in sight. Even this late in the summer there remained pockets of snow all around the peak. It was a relief to put a pile of that on my head. As I ascended, there would always be a pile of rocks blocking my view of the top and it would always seem to be just beyond them. I'd push it to get up to the rocks but there always seemed to be another outcropping, which quickly became very annoying. Finally, with the site of a fellow hiker triumphantly perched at the peak, I bee lined it straight to the summit.
I know I should just get off it, but come on...she's really dead! I mean, I know I said she was going to die last week, but the bitch exploded into a blaze of light and souls. I don't think anyone walks away from that.
It isn't the first time one of my favorite heroines has bitten the big one (twice even). We all remember Buffy, don't we? At the end of season 1, they pull that whole, "she's fated to die at the hands of the Master" crap and sure enough, she falls into a puddle and "dies." Luckily, someone was paying attention in CPR and she dodged that bullet. We all thought she was home free.
Anyways, it's over now. The manga can now march in a new direction. With Kikyo out of the picture, I guess Kagome should give Inuyasha maybe a month to mourn for his twice-dead lover and then swing in for the rebound. I mean, they look exactly the same in the manga, it shouldn't be hard for him to adapt.
We ate at this very cool sandwich place and I got this delicious lettuce, fried green tomato and eggplant parmesan sandwich. We looked at some of the shops, I got a comfy shirt from American Apparel. We went to Amoeba Music where I feel like we spent a whole hour looking and listening to music. I finally picked up the new Snow Patrol album as well as Republic, an older New Order album that was on clearance for only $3 used. I also noticed the Flaming Lips had released a special album entitled The Fearless Freaks, which according to the album's intro was released on a limited basis at SXSW. It contained a haunting live version of "The Observer," one of my favorite Lips songs, as well as a rare track titled "Enthusiasm for Life Defeats Existential Fear."

